(1960)
The
I let myself go seeFigures connects twenty-two songs further in search of a world full of being, which would place many Russian poets admired Pasternak to Mandelstam. Figures would be the way the book from a great beginning, "the middle of his age," since the author has shown so far in many translations - mainly from Russian. It took a freedom in this bilingual of speed, momentum, a bubbling, and that great writers have not heard him, he went to find the theater, in the language of the actors:
sheers on the light
particles or dust, which
calming being is
a reflection of trees on water Flemish
When he awoke,Yes, that's how often we write today to the theater. Twenty-two declamations of a room not a room in turn pass the shadows of the sweet and terrible demons - here Dostoevsky - poets. Twenty-two tracks of meditation that was extended in 2005, from May to October, and we owe this excellent book ... :
fragments are washed out as
another body
its terror too - a body
mosaic
under water this time disorder;
a point, and then another, and again
Park
and fatigue
implausible: it raises
an arm,
and the day is full. It takes a book
and it feels
drag
... we would like to hear often from now on the air and on stage.
He trembles and feels that its shadows -
he also sees among its shadows, and it is so reassuring
to be as straight
in these streets ...
Jean-Marie Perret
- André Markowicz Figures , Knopf, March 2007.
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