In the clearing stood a large stone resembling a womanMusic: here we have four compositions, each putting two or three movements, each of these movements linking together five, twelve, twenty pieces. And each of these parts has to turn to some more than one page. The table of such a book sheds light on the unexpected familiarity of the poet with the methods of organizing the music of his time: it is known to work as librettist for several works of composer Alain Bancquart. Familiarity again, with the manner of stock: tasting table Vertical secrecy is of great delicacy.
not quite finished
might have hoisted from below the earth
I do not
want
she said nothing more than a piece of this world
adjust myself well
close to me not give a heart, its pulse biased towards
found, make a
zip-top on the ground
drag me back into the thick
give me the indistinct.
And we have abandoned the leaves,
can not kill death.
"Every part of the collection ranges from black to light that we are trying to say in words severe" risk, the author. It is permissible to say that the work here goes beyond the intention: it is even more in the enrichment course that will review the need of the poem. "Freelance Life", "For the deep body", "City and you", "Isis always" - the four parties that were said, each diffracted into many grains, shadows and stamps , provide as much input in what would be the sound of life - and his silence. Never forgetting that woman means:
Womenaway Orpheus, Isis still remains : witness this beautifully made book.
our clothing pockets so rare a
sometimes when dragging a receipt for a ticket dispenser
expired
few grains of a rod, which was sprig of lavender
nothing for our identity, our home ...
All this fugitive, devoured
kind as our beautiful ...
Jean-Marie Perret.
- Marie-Claire Bancquart, Vertical secrecy, Obsidian, 4th Qtr. 2007.
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